REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634. Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Bathsheba in her bath, also modelled by Hendrickje, | Portrait of an Old Man | The Nightwatch (detail) | Moses with the Tablets of the Law | Portrait of the Preacher Eleazar Swalmius | Related Artists: Frederic Leighton, 1st Baron LeightonFrederic Leighton, 1st Baron Leighton PRA (3 December 1830 - 25 January 1896), known as Sir Frederic Leighton, Bt, between 1886 and 1896, was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was bearer of the shortest-lived peerage in history; after only one day his hereditary peerage ended with his death.
Matteo RosselliItalian Baroque Era Painter, 1578-1650
Italian painter. An influential artist of the early 17th century in Florence, he is described by the early sources as being of a gentle disposition and as a dedicated and dignified painter, although he lacked originality and power. His work is characterized by the simplicity, descriptive naturalism and refined colour of the Counter-Reformation art created by such Tuscan artists as Santi di Tito, Bernardino Poccetti, Lodovico Cigoli and Domenico Passignano, yet he was also responsive to Venetian and Emilian art. The son of Alfonso Rosselli and Elena Coppi, he received his early education in Gregorio Pagani's studio, which he attended from as early as 1587. His initial inclination was towards classical and balanced compositions, in which the influence of Andrea del Sarto, whose frescoes he copied in the Chiostro dello Scalzo, is clear. On 26 February 1599 he was admitted to the Accademia del Disegno and in 1605 went to be with Passignano in Rome for six months, greatly enriching his artistic experiences through this contact. He returned to Florence in the same year and, on Pagani's death (1605), completed his master's unfinished works with great success. Pagani's influence can be seen in the bright colours of Rosselli's Adoration of the Magi (1607; Montevarchi, Arezzo, S Andrea). To 1610 belong two monochrome paintings depicting Henry IV at Nantes and Henry IV at Gaudebec Salvatore Postiglionepainted Pier Damiano e la contessa Adelaide di Savoia in 1887
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